Big Hurry, Greazy Duzit, and Run, Forever Album Reviews – PGH City Paper 1/27/11- 2/17/11

Big Hurry
Gets Me Low EP (self-released)

Doused in shimmering guitar work and bass riffs, Big Hurry’s Gets Me Low ignites quickly to burn twice as bright for half as long. The short-burst, five-song EP has fiery lead singer Kelly Tobias and arena-ready drummer Dani Buncher unleashing searing performances that continue smolder with each listen. The beautifully anthemic title cut is a keeper, a dynamic indie rocker that effortlessly earns its track-one status. By Patrick Bowman


Greazy Duzit
Mucho Greazy (self-released)

Tongue-twisting emcee Greazy Duzit steps out of the shadow of Pittsburgh-based rap group Shindiggaz with his debut release Mucho Greazy, a hard, heady blend of esoteric street poetics and blistering underground beats. Keeping pace with Greazy’s hardened flow is Shindiggaz’ DJ Thermos, who produced much of the album, crafting dense tapestries of off-kilter samples anchored by varying drum patterns. Standout “The Name of That Tune” has the duo at their razor-sharp best. By Patrick Bowman


Run, Forever
The Devil, and Death, and Me (Solidarity Records)

Run, Forever’s full-length debut, The Devil, and Death, and Me, is a rough-and-tumble rocker, filtering Bruce Springsteen’s Born to Run through decades of beer-soaked garage punk and just enough religious imagery to keep the proceedings on the edge of an existential crisis.  And while the track “A Sequence of Sad Events” reduces existence to just that, it possesses the dimensions of a life-affirming anthem, full of throaty calls to action and desperate demands for something more. By Patrick Bowman

Satin Gum – “EP 2″ Review

Satin Gum possess the spirit of golden age indie rock in their bones. The Pittsburgh quartet have unabashedly become the torchbearers for the sound of late 80′s-early 90′s college radio, easily adopting the free wheeling guitar work, three-part harmonies and slacker persona that made bands like The Replacements and Pavement, and Dinosaur Jr. all but synonymous with the adjective “indie” for the better part of a decade. Their 2009 release LP contained flashes of 70′s power pop  gloss (re: Big Star, The Flamin Groovies) but tracks like “I Got a D.U.I. Babe” and “Dance Me Home” were ultimately beholden to waves of distortion pitched with melody, quaking with a current of romantic bombast just beneath the surface.

However, the five song blast of their latest release EP 2 completely embraces their American underground roots, passionately evoking patron saints Malkmus, Westerberg and Pollard while churning out one indelible rocker after another. Don’t get me wrong: these songs are not mediocre photo copies of “Cut Your Hair.” I truly believe Satin Gum are men out of time, not merely paying lip service to their influences but embodying them without cynicism or outward pretension. Continue reading

Meeting of Important People “Quit Music” EP Release Show @ Thunderbird Cafe, 7/24

Meeting of Important People’s 2009 self-titled debut release was a sketchbook of small details and stolen moments, stitched together as lyrically impressionistic vignettes and set against too many perfectly cultivated harmonies to count. The high points (“Mother’s Pay More” and “I Know Every Street”) offered glimpses of  a dreamworld populated by desperate youth and blood thirsty babes, detailing the lost nights and lost loves that never existed.

While that wistful album resembled something like  a book of  poetry, the group’s current effort, the seven song Quit Music EP available for download here, comes closer to a collection of short stories with each song possessing slivers of plot, drama and the fragile soul of small town life.  Lead singer/songwriter Josh Verbanets provides his characters with rousing backgrounds of British Invasion pop, bristling with moments of AM radio melody and world beating power chords.  Slowly, I could not shake the comparison to The Kinks and their small town/countryside opus The Village Green Preservation Society. Tracks after the jump.

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