The Seven Fields of Aphelion Debut Release – Periphery

The Seven Fields of Aphelion steps out from the shadows (in a manner of speaking) of Tobacco and Black Moth Super Rainbow to release Periphery, out now on Graveface Records. An angelic album of ambient moods and textures, impressionistic, sweeping and intimate in the same breath, Periphery personifies dream-like.  As Aaron Jentzen mentioned in his City Paper review, the BMSR keyboardist has surprisingly forsaken percussion of any kind. With Tobacco’s tendency to embrace 808 kick drums and hip-hop beat making so readily, its refreshing (cleansing?) to see Aphelion compose music that is almost defiantly atmospheric and shapeless.

Tracks after the jump. Continue reading

Marshmallow Ghosts – “Shrieks” (Black Moth Super Rainbow Side Project)

MarshmallowghostsIf there ever was a group that could embrace the carnival menace of the Halloween season, Pittsburgh’s own Black Moth Super Rainbow is it.  Marshmallow Ghosts is a collaboration between BMSR and Graveface labelmates The Appleseed Cast, Dreamend, and Casket Girls, who conjured up the 7″ single “Shrieks” to be released on October 20th.

The project represents what is basically Graveface Records’ house band. “Shrieks” casually injects some macabre wonder into air via tumbling organs, horror movie samples, and marching drums that invoke the House of Usher in all its dilapidated glory. It’s a goofy one-off, for sure, but a total delight in the same measure.

I spoke recently of how singer-songwriter Jane Herships easily crystallized that emotional transition of the fall season as one looks toward the winter ahead. Marshmallow Ghosts, however, take a snapshot of the eerie October nights, haunted houses, graveyards and Vincent Price kitsch that permeate the best kind of Halloween spirit.  It’s not especially sinister,  just delightfully camp in an exceedingly creepy way.

I think we can all appreciate that our Halloween rests in the hands of seasoned experts.

The Marshmallow Ghosts – Shrieks

Black Moth Super Rainbow – “Born on a Day the Sun Didn’t Rise”

Black moth superI have to credit Songs in the Key of Touche for posting this song first, but it deserves all the attention it gets. I’ll admit, I hadn’t heard of Black Moth Super Rainbow until two things happened very recently: they played a small, sparsely attended but much raved about show on CMU’s lawn a few weeks ago and were profiled in The City Paper.  Much to my amazement, the keyboard based, psychedelic sextet have been pumping out mindfucking jams for most of the 00′s, first as Satanstompingcaterpillars from 2000-2002, then as BMSR for the rest of the decade.  Between three full length albums, a gaggle of self-released cd-r’s, E.P.’s and vinyls, glowing reviews in Pitchfork and other publications, group members Tobacco and Power Pill Fist’s self contained solo projects, and an opening slot on The Flaming Lips fall 2007 tour, I’m convinced BMSR has more hype surrounding them outside of Pittsburgh than in.

In terms of the internet-age, my awareness/appreciation for the group is eons behind, but it’s a welcome testament to the ways in which Pittsburgh’s flourishing music scene continues to suprise me.  BMSR’s fourth full length album, Eating Us, is due out May 26 and happens to feature the psych-pop gem “Born on the Day the Sun Didn’t Rise.” The track has all the makings of a June anthem: Three Dog Night infused organ intro, spaced out vocoder-masked vocals, and enough drug induced drone to give you a contact high.  Jump on the bandwagon, I promise you its not too late.

Black Moth Super Rainbow – Born on a Day the Sun Didn’t Rise

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