The Hold Steady brings rock ‘n’ roll problems to Diesel – PGH City Paper 4/8/10


By Patrick Bowman

Rock ‘n’ roll problems, for most of the world, aren’t real problems. The Hold Steady knows this fact intimately, but doesn’t seem to care. The Brooklyn-by-way-of-Minneapolis group believes in a world where Paul Westerberg and Bruce Springsteen are saints, redemption is found at the bottom of a bottle, and miracles happen nightly on bar stages across America.

With its upcoming release Heaven Is Whenever (out May 4), the band’s lineup has changed — mustachioed keyboardist Franz Nicolay left the group last January — but not its philosophy. The album’s lead single “Hurricane J” has all the trademarks of the Steady’s boozy, Midwestern romanticism: charging guitars, anthemic choruses and lead singer Craig Finn’s street-prophet poetics.

If anything, the group seems a bit more self-aware about its status as “America’s Greatest Bar Band,” a label that has followed The Hold Steady around for years. On the song “Rock Problems,” from Heaven Is Whenever, Finn howls, “She said, ‘I just can’t sympathize / with your rock ‘n’ roll problems.’” The band is seemingly coming to grips with a world that doesn’t seem to be on the same page as its rock-as-religion gospel.

But when the group rolls into Diesel on April 14 for its fourth show in Pittsburgh in four years, the outside world won’t really matter. Just listen to the last words of “Rock Problems” — Finn makes it perfectly clear where The Hold Steady stands on the subject. “This is just what we wanted,” he yells, “this is just what we wanted.”

The Hold Steady brings rock ‘n’ roll problems to Diesel – PGH City Paper 4/8/10  

The Jon Spencer Blues Explosion @ Diesel, 7/15, Now I Got Worry Reissue

The Jon Spencer Blues Explosion are six years from their last release and about 14 years removed from the eye of the storm they created. After the group’s initial three record output in the early 90′s that focused on fusing noise rock, hip-hop drum patterns and delta blues together by any means necessary ending with 1994′s Orange, the boys had varying results sprawling in every goddamn direction. Regardless, their live shows were legendary. Each set came down like a ton of bricks on fire, showering crowds with heaving masses of seething New York City rage and white hot blues swagger. And no one really attempted to challenge The JSBX’s persona as new age, hardcore bluesmen;  the group predated the short lived garage rock revival of  The White Stripes, Mooney Suzuki and The Hives (among others) by a good five years.

Until 1996, however, the pieces had yet to come together in the studio sessions to recreate the incendiary nature of the JSBX’s best performances. But with Now I Got Worry, The Blues Explosion finally coalesced their influences into a sweaty, volatile stick of dynamite, injecting the recklessness of their infamous live act into the raw production techniques that pumped up tracks like “Skunk,” “Wail,” and “Fuck Shit Up” with red levels of hairy distortion. The album is a shotgun blast of the Stooges proto-punk, Muddy Waters slide guitar and rockabilly’s cruising road-ready weirdness, easily sounding as fresh as it did 14 years ago. Tracks after the jump. Continue reading

Plan Your Week Accordingly: July 12 through July 18

Remember that time when you heard about that awesome show, but only after the fact, and then you got that weird feeling in your stomach, like when you went too high on the playground swings? Plan Your Week Accordingly is a new feature of Speed of the Pittsburgh Sound which aims to help you never ever have that feeling again (at least about shows). We highlight the “must-sees” from our perspective, give you the date and the locale, and leave the rest to your impeccable/implacable discretion. Shows and tracks after the jump. Continue reading

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