Top Steel City Tracks of 2011

I think my favorite part about living in Pittsburgh and keeping up with the music scene here is making annual year end lists of my favorite local music (if you’re curious, here are my 2009 and 2010 lists). I used to take the Steel City’s music scene for granted (especially during college) and assumed every other moderately sized metropolitan area in the region had a similar, or possibly larger, independent music community. But, after three years of really listening to (and subsequently analyzing) tons of music that was in some way, shape, or form born and bred in Pittsburgh, I’m pretty damn confident our music scene can stack up with any other city’s in America.

Just from looking at and listening to the music featured on the list below, it’s evident there is no singular Pittsburgh “sound.” Whether its the indie rock being played at the Brillobox and Mr. Small’s, the underground punk of The Shop, 222 Ormsby, and Mr. Roboto, the shredding metal at the 31st Street Pub and the Smiling Moose, the hip-hop of the Shadow Lounge and Z Lounge, or the electronic music mecca of the VIA Festival, I think we can all agree Pittsburgh’s music scene is currently flourishing. With that in mind, The Top Steel City Tracks of 2011 is my attempt to capture all the disparate sounds of Pittsburgh into one, condensed, twenty song list, with no ranking hierarchy or further explanation.

Also, if you think I missed something (and I most certainly did) please feel free to blow up the comment section with links to music, upcoming shows, or videos. Check the list after the jump. Continue reading

On the duo’s new album, Ennui’s psychedelic pop recalls Pink Floyd and Bowie – PGH City Paper – 3/10/11


By Patrick Bowman

Through seven years of changing lineups, stalled major-label ambitions and drastic sonic evolution, Jim Doutrich has remained the primary creative engine and stabilizing force for Pittsburgh-based electro-pop group Ennui. A Philly transplant who moved here eight years ago, the classically trained multi-instrumentalist ushered Ennui’s growth from the piano-driven Brit-pop of its 2004 debut Inchoate EP to the slick indie rock of 2007′s Cry EP, produced by Brian Deck (Modest Mouse, Iron and Wine).

Doutrich and Ennui’s process for their first full-length album, 2008′s The Myth in Which We Live, turned sharply away from their previous methods and influences. The result was a hyper-produced, Italo-disco-infused electro-pop record that sounded little like the band’s previous output. The album was a labor of love that took almost two years to complete and confounded any label interest with such a radical change in direction. Doutrich’s changing perceptions of his own music coincided with Ennui’s schizophrenic persona.

“While writing and recording The Myth, the priorities started to shift,” Doutrich says. “If there’s anything different about now compared to where I was [before the Inchoate and Cry EPs], I don’t care about anything else but the music I’m making. Would I still want to tour and be successful? Of course I do, but I don’t think about it anymore, it’s nowhere near the drive for me.” Continue reading

Tanlines – “Real Life”, Rx (ft. Jim Doutrich of Ennui) – “Fire Flies VIP”

Two new Pittsburgh related collaborations have been making the rounds on the interwebs the past two weeks and I felt they need a little attention. The first track, found after poking around Pitchfork the past couple days, is “Real Life,” a new song from ex-Don Caballero bassist and Pittsburgh born Eric Emms’ latest project, the Brooklyn-based duo Tanlines. “Fire Flies VIP” comes from Philadelphia-based dubstep producer Rx and Jim Doutrich, lead singer and all around brilliant mind behind Pittsburgh’s own Ennui.

Check the tracks after the jump. Continue reading

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