The Seven Fields of Aphelion steps out from the shadows (in a manner of speaking) of Tobacco and Black Moth Super Rainbow to release Periphery, out now on Graveface Records. An angelic album of ambient moods and textures, impressionistic, sweeping and intimate in the same breath, Periphery personifies dream-like. As Aaron Jentzen mentioned in his City Paper review, the BMSR keyboardist has surprisingly forsaken percussion of any kind. With Tobacco’s tendency to embrace 808 kick drums and hip-hop beat making so readily, its refreshing (cleansing?) to see Aphelion compose music that is almost defiantly atmospheric and shapeless.
Tracks after the jump. Continue reading

