Top Steel City Tracks of 2011

I think my favorite part about living in Pittsburgh and keeping up with the music scene here is making annual year end lists of my favorite local music (if you’re curious, here are my 2009 and 2010 lists). I used to take the Steel City’s music scene for granted (especially during college) and assumed every other moderately sized metropolitan area in the region had a similar, or possibly larger, independent music community. But, after three years of really listening to (and subsequently analyzing) tons of music that was in some way, shape, or form born and bred in Pittsburgh, I’m pretty damn confident our music scene can stack up with any other city’s in America.

Just from looking at and listening to the music featured on the list below, it’s evident there is no singular Pittsburgh “sound.” Whether its the indie rock being played at the Brillobox and Mr. Small’s, the underground punk of The Shop, 222 Ormsby, and Mr. Roboto, the shredding metal at the 31st Street Pub and the Smiling Moose, the hip-hop of the Shadow Lounge and Z Lounge, or the electronic music mecca of the VIA Festival, I think we can all agree Pittsburgh’s music scene is currently flourishing. With that in mind, The Top Steel City Tracks of 2011 is my attempt to capture all the disparate sounds of Pittsburgh into one, condensed, twenty song list, with no ranking hierarchy or further explanation.

Also, if you think I missed something (and I most certainly did) please feel free to blow up the comment section with links to music, upcoming shows, or videos. Check the list after the jump. Continue reading

Pittsburgh’s Majeure Featured on RCRD LBL

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A.E. Paterra, one half of Pittsburgh’s elusive prog duo Zombi, appears to have a new solo project entitled Majeure, complete with the premiere of two tracks off his soon to be released debut Timespan on mp3 blog supersite RCRD LBL earlier today. Coming off the heels of Zombi’s first performance in two years at the Sprout Fund’s Hothouse Funraiser last week, Paterra shows off his own solo ambitions with the two headed prog monster that is  “Timespan” (edit) and “Teleforce.”

Both tracks immediately remind me of Vangelis’ immortal Blade Runner score with roadrunning, cyclical synth pyrotechnics and an overall atmosphere of futuristic paranoia straight outta Phillip K. Dick.  “Teleforce” is a dead ringer for the sinister end credit track from the director’s cut and builds up to an epic ten minute crescendo. The men of Zombi have the terrifying prog rock market cornered in Pittsburgh, and the release of Timespan will only further solidify their presence. Check the tracks after the jump. Continue reading

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