Governors Ball 2012: Report Card – Prefix Magazine – 6/26/12

Governors Ball is the music festival for people who don’t like music festivals. The financial investment and logistical planning involved in attending (and actually enjoying) one of the big three summer music fests (Bonaroo, Coachella, Lollapalooza) or one of their lesser competitors (Washington state’s Sasquatch!, Gulf Shores’ Hangout Fest) is significant. Luckily, events like those create a demand for a mid-size festivals that can still boast a stacked line-up while providing an alternative experience for concert-goers who don’t want to camp for three days with 150,000 people.

New York City’s Governors Ball falls perfectly into the latter category. After only two years, the festival organizers seem to be embracing the fact that Gov Ball could eventually become the Big Apple’s signature summer indie music event by expanding the programming to include an entire weekend and solving many of the travel issues that plagued the inaugural run in 2011 by not placing the event on its namesake island (where you can only arrive, and depart, via ferry leading to transit lines nearly a quarter of a mile long).  We at Prefix wanted to take a closer look at this young festival to see how it stacks up against the bigger events in the summer concert season. Here is our report card of the proceedings.” Read More Governors Ball 2012: Report Card – Prefix Magazine – 6/26/12 

Metric “Synthetica” Album Review – Prefix Magazine – 6/12/12

“For obvious reasons, the preferred aesthetic of Toronto/New York/Los Angeles-based band Metric–an angular brand of Arts and Crafts indie rock that always seems stadium ready–and the constructed musical persona of lead singer/songwriter Emily Haines are practically one in the same. As a lead singer, Haines has always embodied the guise of an overconfident (read: insecure) femme fatale: insouciant, cold, occasionally blunt, edges sharpened to a point, but undeniably beautiful. She’s played this role on film (in Julian Plenti’s “Games for Days” video) and inspired characters in print (Bryan Lee O’Malley admitted the inspiration for rocker Envy Adams in his Scott Pilgrim series was Haines), and when Metric is firing on all cylinders– like they did on their unusually strong 2009 release Fantasies– it’s Haines who’s leaving the bite marks.” Metric Synthetica album review – Prefix Magazine.

Torche “Harmonicraft” Album Review – Prefix Magazine – 4/18/12

“For current fans of “rock ‘n’ roll” (whatever the genre moniker even means now), there is very little to get excited about in terms of big, successful rock records. Sure, The Black Keys’ latest album casts a wide swath, but bargain bin post-grunge bands like Shinedown and Nickelback still hold down regular spots in the Billboard 200. Thank god the first quarter of 2012 has seen a wealth of unusually substantial indie rock records, like the angular, emotional Attack on Memory from Cloud Nothings, the thick, punk/metal riffing of Ceremony’s Zoo, and of course the snarling, proto-punk/classic rock hybrid of the Men’s Open Your Heart.

And for listeners hungry for the soaring guitar pyrotechnics and anthemic harmonies, Floridian underground metal veterans Torche have returned to the fold at a time when underground rock ‘n’ roll seems to be at its most vibrant.  The group’s latest album, Harmonicraft, builds off the unexpectedly accessible, but still sludgy metal of 2010’s stopgap EP Songs For Singles and their 2008 breakthrough Meanderthal by not shying away from huge hooks or day-glo bursts of triumphant guitar riffage.” Torche – Harmonicraft Album Review – Prefix Magazine. 

Blog at WordPress.com.
Theme: Esquire by Matthew Buchanan.

Follow

Get every new post delivered to your Inbox.